Tag Archives: Museum of Modern Art

| 3. ITEMS at The Museum of Modern Art | Things in the Slow and Steady Wins the Race Time Capsule for 2017

There are 3 days remaining in 2017 so we thought we would countdown and share with you some of the items and ideas we would put in our time capsule. For us they straddle the very specific space of the timely with the timeless; sometimes sublimely anachronistic, fundamentally classic, and are reflective of a value system we hold true to.

This landmark exhibit showcasing 111 items that have had the greatest impact on the anthropology of contemporary fashion, dress, and the world industry. The show was on nearly every end of year top ten list and it is also on ours.

Description :

Items: Is Fashion Modern? presents 111 items of clothing and accessories that have had a profound impact on global culture in the twentieth and twenty-first centuries. Among them are designs as well-known, transformative, and coveted as Levi’s 501 jeans and the sari and as ancient, charged, and historically rich as the pearl necklace and the keffiyeh.

The catalogue accompanies the first fashion exhibition at The Museum of Modern Art since 1944. An essay by curator Paola Antonelli highlights the Museum’s unique perspective on fashion and explores fashion’s role in the changing landscape of design. The 111 texts that follow trace the history of each item in relation to labor, marketing, technology, religion, politics, aesthetics, and popular culture. Arranged alphabetically, these essays are richly illustrated with archival images, fashion photography, film stills, and documentary shots. Punctuating the book are newly commissioned photographic portfolios that bring a vibrant creative energy to the project. Hardcover. 288 pp; 500 color illustrations.

 

 

| ART | Robert Rauschenberg Among Friends at MoMA

The early 1950s, when Rauschenberg (1925–2008) launched his career, was the heyday of the heroic gestural painting of Abstract Expressionism. Rauschenberg challenged this tradition with an egalitarian approach to materials, bringing the stuff of the everyday world into his art. Working alone and in collaboration with artists, dancers, musicians, and writers, he invented new, interdisciplinary modes of artistic practice that helped set the course for art of the present day. The ethos that permeates Rauschenberg’s work—openness, commitment to dialogue and collaboration, and global curiosity—makes him, now more than ever, a touchstone for our troubled times.

The exhibition is organized by The Museum of Modern Art, New York, and Tate Modern, London.

Organized by Leah Dickerman, The Marlene Hess Curator of Painting and Sculpture, The Museum of Modern Art, and Achim Borchardt-Hume, Director of Exhibitions at Tate Modern, with Emily Liebert and Jenny Harris, Curatorial Assistants, Department of Painting and Sculpture, The Museum of Modern Art. The exhibition design was created in collaboration with the artist Charles Atlas.